Tipos de obras

Audio

Partitura

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Música > Música instrumental

Movimientos socio-culturales

Edad Contemporánea > Movimientos musicales desde finales del s. XIX > Música clásica

Obra

De profundis (Raminta Šerkšnytė)

Fecha de producción: 2019

Tipos de obras

Audio

Partitura

Géneros

Música > Música instrumental

Movimientos socio-culturales

Edad Contemporánea > Movimientos musicales desde finales del s. XIX > Música clásica

Obras

SCORE

 De profundis. Extract of Music Information Centre of Lituania, p.1

<https://www.mic.lt/en/database/classical/find-works/23364/#score-library> (5/1/2023) 

AUDIOVISUAL

Kremerata Baltica & Mirga Gražinytė-Tyla (2019). De profundis (Raminta Šerkšnyte),

<https://www.youtube.com/watch?v=T_uKae9c6io> (12/12/2022) 

Información de la obra y contexto de creación

De profundis, takes its title from Psalm 130 and conjures up a profoundly meditative atmosphere via a sequence of hypnotic, ear-tweaking sonorities." (Julian Haylock, 2010). 
A contemporary of conductors such as the Mexican Alondra de la Parra and the French Arian Matiakh and Laurence Equilbey, who includes symphonic works by women in the programming of her concerts. 
Gražinytė-Tyla shares the fact that she is one of the first women to be named Music Director of major orchestras, such as Marin Alsop who made history in 2007 as the first woman to be named Music Director of a major American orchestra, Baltimore Symphony Orchestra
Other notable contemporary directors are Alicia Farnham, founder and director of the Society of Women directors in which she offers workshops for aspiring women, or the Canadian, Bárbara Hannigan, promoter of contemporary opera. 

Indicaciones

Gražinytė-Tyla’S conducting of this work offers us the possibility of identifying the rich sounds that emerge from the rhythmic and acoustic concert of the chamber orchestra. 
In Secondary School it is recommended when dealing with current classical music and in active listening activities. In artistic musical studies in the subject of Chamber Music. 
At the University, in subjects with competences in listening, didactics and musical analysis, making visible and valuing the music of female composers. 

Documentos